04-Museo de la Memoria 358

On September 16th, as part of their ongoing screenings from the collection and in conjunction with their Memories From Exile season, The Museum of Memory and Human Rights will screen ¡Viva Chile mierda!

The film is also available to view year-round in their audiovisual centre (CEDAV).

I am grateful for the support of this excellent institution and proud to be included in their archive.

Museo de la Memoria y de los Derechos Humanos
Matucana 501, Metro Quinta Normal, Santiago – Chile
Fono: (562) 2 597 96 00
Email: info@museodelamemoria.cl

Download museum catalogue here

 

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I am very pleased to announce that ¡Viva Chile Mierda! has been selected for the National Competition at this year’s FIDOCS: Festival Internacional Documentales in Santiago, Chile.

Here is the description of the festival from their website:

“Along with the annual screening of the International Panorama, and other focuses, hommages and retrospectives, FIDOCS has three main competitive sections: Latin American Competition, National Competition and International Short Film Competition Monsieur Guillaume. In this way, FIDOCS has positioned itself as one of the most renowned festivals of Latin America, has achieved the re-emergence of the genre in the country, and has explored the relationship between documentary short films with other audiovisual genres like fiction, video art and experimental cinema.”

Now I just have to figure out how I am to get myself there for the screening…

 

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On March 16th, 2014 ¡Viva Chile Mierda! screened at the historic Athena theater in Athens, Ohio as part of the Ohio University’s FILM 5010: Symposium course taught by Dr. Louis-George Schwartz. This screening series this year was titled, Series Sea Here and was also open to the public. The film was one of two films on this year’s programme dealing with Chile’s traumatic and tortured history, the other being Nostalgia for the Light (2010) by Patricio Guzman. This makes me very happy indeed given that Patricio Guzman is a hero of mine. I have long admired his work, particularly his film, Chile: Obstinate Memory (1997).

Apparently the screening was well attended and prompted a lively discussion. I am grateful to Dr. Schwartz and to Ohio University for organising this screening.

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